In my work as a documentary and commercial photographer I aspire to capture photos that appeal to the pallet of emotions that make us human.

Since 2003, when I bought my first Digital SLR, I have worked in the Middle East, Latin America, Central and Eastern Asia, Western Africa as well as the Caucasus. The camera has not only been a creative outlet but also an increasingly important companion in a perceived need to keep the world close. Most importantly, photography has become an excellent vehicle for documenting the things I feels strongly about - my development and humanitarian work.

The people in the pictures are real. This to me is the most important aspect of my photography.